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The Cartoon Portal

John Leech, Substance and Shadow (1843), published as Cartoon, No. 1 in Punch, the first use of the word cartoon to refer to a satirical drawing

A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.

This article covers "static" cartoons; for moving ones see animation.

The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in Punch magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animated films that resembled print cartoons. (Full article...)

This section is an excerpt from Cartoon § Mass media.[edit]

In print media, a cartoon is a drawing or series of drawings, usually humorous in intent. This usage dates from 1843, when Punch magazine applied the term to satirical drawings in its pages,[1] particularly sketches by John Leech.[2] The first of these parodied the preparatory cartoons for grand historical frescoes in the then-new Palace of Westminster in London.[3]

Davy Jones' Locker, 1892 Punch cartoon by Sir John Tenniel

Sir John Tenniel—illustrator of Alice's Adventures in Wonderland—joined Punch in 1850, and over 50 years contributed over two thousand cartoons.[4]

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Bust of Dan Dare

Eagle was a seminal British children's comic, first published in April 1950. It was founded by Marcus Morris, an Anglican vicar, who felt that the church was not communicating its message effectively. Simultaneously disillusioned with contemporary children's literature, he and artist Frank Hampson created a dummy comic based on Christian values. Morris hawked the idea to several publishers, with little success, until Hulton Press decided to take it on. Following a huge publicity campaign, the first issue sold about 900,000 copies. Featured in colour on the front cover was the comic's most recognisable story, Dan Dare, Pilot of the Future (pictured). Other popular stories included Riders of the Range and P.C. 49. Eagle also contained news and sport sections, and educational cutaway diagrams of sophisticated machinery. Amidst a takeover of the comic's publisher and a series of acrimonious disputes, Morris left in 1959; Hampson followed shortly thereafter. Although Eagle continued in various forms, a perceived lowering of editorial standards preceded plummeting sales, and it was eventually subsumed by its rival, Lion, in 1969. A relaunched Eagle ran for over 500 issues between 1982 and 1994.

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Bugs' star on the Hollywood Walk of Fame.

Bugs Bunny is a funny animal cartoon character, best remembered for his starring roles in the Looney Tunes and Merrie Melodies series of theatrical shorts produced by Warner Bros. during the Golden Age of American animation. His popularity during this era led to his becoming a corporate mascot of Warner Bros. Entertainment. Bugs is an anthropomorphic gray hare or rabbit and is famous for his flippant, insouciant personality, a pronounced New York accent, his portrayal as a trickster, and his catch phrase "Eh... What's up, doc?" (usually said while chewing a carrot). Bugs has appeared in more films than any other cartoon character and is the ninth most portrayed film personality in the world. In reality, he was brought to life by the animators and staff of Leon Schlesinger Productions (later Warner Bros. Cartoons): including Tex Avery, who directed Bugs' "official" debut short A Wild Hare (1940); Robert McKimson, who created Bugs' definitive character design; and Mel Blanc, who originated the voice of Bugs.

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The episodes of The Bellflower Bunnies, a children's animated series based on the Beechwood Bunny Tales books by Geneviève Huriet, Amélie Sarn and Loïc Jouannigot. It debuted on TF1, a French television network, on 24 December 2001. The series is written by Valérie Baranski, and produced by Patricia Robert. The show centres on the adventures and exploits of the Bellflower family, a clan of seven rabbits who live in Beechwood Grove. The two adults in the family, Papa Bramble and Aunt Zinnia, take care of their five children: Periwinkle, Poppy, Mistletoe, Dandelion and Violette. The series has also been broadcast on CBC Television and TFO in Canada, KI.KA in Germany, Portugal's RTP in the Azores, and in several other countries. The show has fifty-two episodes: four in the first season, twenty-two in the second, and twenty-six in the third. In the entire series, thirteen are based directly on installments in Beechwood Bunny Tales, published by Milan Presse of France and Gareth Stevens in the United States; the rest are based on scripts by Valérie Baranski. Distributors in Europe, North America, and South Korea have released DVDs of the first two seasons.

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Joseph Barbera (1911–2006) was an influential American animator, film director, film producer, storyboard artist, and cartoon artist. Born in New York City, after working odd jobs and as a banker, Barbera joined Van Beuren Studios in 1932 and subsequently Terrytoons in 1936. He met his lifelong collaborator William Hanna while working for Metro-Goldwyn-Mayer in 1937 and soon began producing animated shorts such as the Tom and Jerry series. In 1957, after MGM dissolved their animation department, they co-founded Hanna-Barbera, which became the most successful television animation studio in the business, producing programs such as The Flintstones, The Huckleberry Hound Show, Top Cat, The Jetsons, Scooby-Doo, The Quick Draw McGraw Show, The Smurfs, Wacky Races and Yogi Bear. Hanna and Barbera won seven Academy Awards and eight Emmy Awards. Their shows, which have translations in more than 20 languages, had a global audience in the 1960s of over 300 million people.

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Walt Disney in 1954
Animation can explain whatever the mind of man can conceive. This facility makes it the most versatile and explicit means of communication yet devised for quick mass appreciation.

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Sources

  1. ^ Punch.co.uk. "History of the Cartoon". Archived from the original on 2007-11-11. Retrieved 2007-11-01.
  2. ^ Adler & Hill 2008, p. 30.
  3. ^ "Substance and Shadow: Original Editorial Accompanying "Cartoon, No. I"". Victorian web.org. Archived from the original on 29 October 2023. Retrieved 29 October 2023.
  4. ^ "Sir John Tenniel". National Portrait Gallery. Archived from the original on 22 April 2023. Retrieved 26 August 2022.

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