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Saw this at a screening recently! I'm generally not a laugh-out-loud person when it comes to movies, but haven't seen a comedy land so well for me in a while. The dialogue is clever and (mostly) flows so naturally. A little iffy in its third act but it still moved me with the conclusion. Would be pretty cool if it got acting (the main quartet of actors are really good)/editing noms but unfortunately I see it getting crowded out from other contenders by the end of the year. Screenplay to me is the strongest category for it rn.


'The Invite' - Review Thread
r/oscarrace
'The Invite' - Review Thread

Joe and Angela’s marriage is on thin ice. When they invite their enigmatic upstairs neighbors for a dinner party, the night spirals into unexpected places. Have they reignited the spark or lit the match that burns it all down?

Director: Olivia Wilde

Cast: Seth Rogen, Olivia Wilde, Penélope Cruz, Edward Norton

Rotten Tomatoes: 93%

Metacritic: 78 / 100

Some Reviews:

Variety - Owen Glieberman - 100 / 100

"The Invite" is marvelously entertaining, but part of the reason for that is that I think a lot of people are going to see themselves mirrored in this movie, which for all its sharp-tongued bravura is humane enough to play a truth game that rings true.

Rolling Stone - David Fear

It’s the sort of one-location, star-driven ensemble piece that could have merely been a theatrical exercise, and somehow manages to avoid being either stagy or stodgy. Even more impressive is how the actors sync up their own unique performance styles.

Loud and Clear - Edgar Ortega - 5 / 5

The Invite is Olivia Wilde’s best effort yet, delivering a horny, loud, soulful, mostly stressful, witty outlook on a relationship hanging by a thread.

AwardsWatch - Karen Peterson - 'A'

With incredible performances, crisp and often hilarious dialogue, The Invite will be known as Olivia Wilde’s Who’s Afraid of Virginia Woolf? and this is not only fair, but an obvious influence. There are also shades of Husbands and Wives, Woman Under the Influence, and more recently, Splitsville. The most remarkable thing about The Invite is not the films it is like, but in the way we are invited to be part of something special, thoughtful, and refreshingly hopeful.

Awards Radar - Joey Magidson - 3.5 / 4

The Invite is smart and even profound, but make no mistake, it’s also a laugh riot. This is a supremely entertaining film with something to say about relationships, sex, and more. I could have watched this movie for another hour, it was so pleasurable to experience. I loved The Invite and this is, to end on a terrible pun, an invitation that you must accept!

Time Out - Philip De Semlyen - 4 / 5

Wilde’s latest slots into a rich lineage of hilariously awkward sex comedies. With a stellar cast finding alchemy in their contrasting styles, it’s daringly close to the bone and frequently fall-off-your-chair funny.

Empire Magazine - Alex Godfrey - 4 / 5

On the surface, this is a very tense and very funny comedy of manners. Underneath all that, though, is a sad, incisive, brilliantly drawn study of a failing marriage.

Screen Rant - Gregory Nussen - 9 / 10

Marriage can be wonderful; it can also be rough. It can sometimes be both at the same time. What makes The Invite ultimately so special is its unabashed honesty, even when it means doom. Like a complex symphony, it can, and should, hit all the notes.

The Guardian - Benjamin Lee - 4 / 5

It’s too easy to compare this to a Woody Allen vintage – sophisticated pitter-patter dialogue over wine – especially as that has often become more of a putdown (nothing more uncomfortable than someone trying to limply emulate his style) but there are shades of his best work here. Wilde knows, along with Jones and McCormack, how much we all vicariously enjoy watching couples spar, and it’s impossible not to insert ourselves into the night, turning us all into deeply invested football commentators.

The Daily Beast - Nick Schager - 4 / 5

Olivia Wilde’s third behind-the-camera feature (following Booksmart and Don’t Worry Darling) sports four excellent lead performances—including hers—that turn this combative dramedy (premiering at the Sundance Film Festival) into a hysterical, insightful, and ultimately moving portrait of the difficulties of keeping long-term relationships alive.

Punch Drunk Critics - Travis Hopson - 4 / 5

Contrary to some other film festivals out there, standing ovations don’t happen all of the time at Sundance. And, to be fair, getting one doesn’t mean the movie was necessarily great or will be a box office smash. But in the case of Olivia Wilde’s hilarious, rapid-fire marital comedy The Invite, I think both things are true. Wilde’s third time behind the camera, and a welcome return to comedy for the first time since Booksmart, the film is also a rebound from her polarizing suburban satire, Don’t Worry Darling. Underneath all of the witty one-liners, this is also a film that packs quite an emotional wallop, exploring love and sex between a longtime married couple that has lost that spark, and maybe needs a bit of neighborly advice to get it back.

Next Best Picture - Daniel Howat - 8 / 10

Rare are comedies this funny and this mature. Its rich themes hit home, especially for anyone in a long-term relationship. We constantly compare ourselves to others, or worse, to the dreams of our younger selves. It’s all too easy to let the moments that didn’t turn out the way we hoped overshadow everything else, even the good we still have. Dreams may die, but not everything has to die with them. With wit and hard-earned clarity, “The Invite” explores marital communication in ways that feel honest and earned. It’s a razor-sharp, laugh-out-loud comedy that is both blisteringly funny and deeply sad.

Collider - Ross Bonaime - 8 / 10

The Invite is a mature, attractive-looking comedy, which we rarely get in this day and age. Wilde once again proves that she's an exciting director of comedies who knows exactly how to balance these types of stories, and in front of the camera, she's equally incredible with her ensemble cast that makes this a captivating story through and through. The Invite might seem like a simple idea, but Wilde, as well as Jones, McCormack, and her excellent cast, make this into a compelling, delightful, and moving comedy that's more intricate than it might seem.

IndieWire - Kate Erbland - 'B+'

Wilde’s previous film, “Don’t Worry, Darling,” was somewhat similarly driven by questions about the price of relationships, the cost of the lies we tell, the impossibility of really knowing someone, but Wilde answers those same questions here with far more insight and entertaining humor (it cannot be overstated how fun it is to watch this one in a packed theater). The film’s third act stumbles a bit, trading in its high humor for darker emotions that Wilde cannot quite as deftly navigate (and with, unless I am very mistaken, a tiny, left-turn mystery about the true nature of Hawk and Pina). Still, the rest of this meal (light on the soufflé, heavy on the jambon) is such a treat, a truly adult comedy with plenty to say and even more laughs to share. Accept this invite, and fast.

Slant Magazine - Taylor Williams - 2.5 / 4

Wilde mircromanages her passion project to the point of nearly casting authenticity to the wind. But by the time The Invite burrows into the heart of its main characters and reveals the scope of their regrets and longings, it’s hard to argue that it doesn’t strike a chord of genuine emotion. For Wilde, this film about the troubled marriage between a neurotic and a cynic is clearly personal, and by the time it reaches its finale, however wonkily, we can see that beneath its indulgences lies something surprisingly well-observed and sincerely felt.

Vulture - Bilge Ebiri

The Invite is primarily a comedy, and it does have some solid laughs, though the character interactions can also feel so manufactured that our bullshit detectors start going off fairly early. If in something like Who’s Afraid of Virginia Woolf the characters’ inadequacies and resentments fuel their increasingly erratic behavior, here these people feel like grab bags of punchlines, their actions there primarily to get laughs.


As I mentioned, it's just a general highly positive buzz about the movie being great, no specifics about performances/etc yet.

I will say - given the screening, it's likely a couple of the filmmakers/industry people who are relatively active on  social media (your Edgar Wrights or Lord & Millers, etc etc) make a post commenting on the movie's quality in passing in the coming weeks. They aren't under embargo but it's up to them if they feel like posting their reactions or not.


Any of you believing any kind of bullshit regarding The Odyssey reactions - don't.

There were no critic/influencer screenings (yet). Its only been industry. Yes the general (second-hand) word has been very positive. But there are no specifics, because this wasn't an audience of random nobodies - quite the opposite. Very likely there are larger screenings with the influencer types in 1-2 weeks around the premiere, and then with a wider critic base later on (likely around the 10th). But unless Guillermo del Toro or Greig Fraser have been DM'ing people on reddit with their reactions of the screening, none of these vague comments about "X actor is great, X scene is awesome" are true lol. Just wait for official reactions under actual embargo before believing any of this shit.


Weekly Free Talk and Index Thread - New and Fresh every Monday!
r/MarvelStudiosSpoilers
Weekly Free Talk and Index Thread - New and Fresh every Monday!

Welcome to the Weekend Free Talk and Index thread!

You can post whatever you want here - unsubstantiated rumors you heard, fan theories, random shower thoughts, or even musings that are unrelated to the Marvel universe. Please no politics.

Anything goes - please just follow the Reddiquette and above all else treat each other and those that contribute to this subreddit with respect.

Potential points of interest:


He's talking about the presence of those exact characters all together at that point and how the scene pans out as is described on the page. Which is obviously not something you could even recreate out of thin air without having knowledge of the movie


Yeah they're right about the potential of AI being involved. I was 100% in on this being fake. And I'll say that, while my stance has now definitely changed and leans more towards this being real - I cannot totally discount the possibility of this being an exact recreation, rather than actual footage. Whatever it is, its a good fake at the very least


John Campea: "Its real. I had to do a 180 from being like "these Doomsday leaks are fake" to "yeah...this is real. This is VERY real." A clearer look of the leaks were sent to my friend Rob (Meyer Burnett). And it seems very consistent with what we know about the movie. BUT..."(read post body below)
r/MarvelStudiosSpoilers
John Campea: "Its real. I had to do a 180 from being like "these Doomsday leaks are fake" to "yeah...this is real. This is VERY real." A clearer look of the leaks were sent to my friend Rob (Meyer Burnett). And it seems very consistent with what we know about the movie. BUT..."(read post body below)