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Pandeism was noted by literary critic Martin Lüdke as a philosophy expressed by early Twentieth-Century Portuguese poet Fernando Pessoa, especially as to those writings made under the pseudonym of Alberto Caeiro.[1] Pandeism was likewise noted by authors like Brazilian journalist and writer Otávio de Faria, and British scholar and translator of Portuguese fiction Giovanni Pontiero, among others, to be an influence on the writings of noted mid-Twentieth-Century Brazilian poet Carlos Nejar,[2][3]

Pandeism was noted by literary critic Martin Lüdke as a philosophy expressed by early Twentieth-Century Portuguese poet Fernando Pessoa, especially as to those writings made under the pseudonym of Alberto Caeiro.[4] Pandeism was likewise noted by authors like Brazilian journalist and writer Otávio de Faria, and British scholar and translator of Portuguese fiction Giovanni Pontiero, among others, to be an influence on the writings of noted mid-Twentieth-Century Brazilian poet Carlos Nejar,[5][6]


True 0.


https://en.wikipedia.org/wiki/Michel_Weber http://chromatika.academia.edu/MichelWeber http://www.ptep-online.com/ (Progress in Physics; "alternative" physics publication journal)

Hvað er orðið að "Pandeism" í íslensku? (Se även en:Pandeism)


Frumgyðistrú (deismi) er trú á guð sem ópersónulegt afl. Yfirleitt felur frumgyðistrú í sér hugmyndir um að guð skipti sér ekki af manninum né náttúrulögmálum. Þeir sem aðhyllast frumgyðistrú hafna yfirleitt hugmyndum um kraftaverk og trúarlega opinberun. Kenning forngríska heimspekingsins Aristótelesar um guð sem frumhreyfil eða hinstu orsök er dæmi um frumgyðistrú.

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Algyðistrú er sú trú að sami guðlegi mátturinn fylli og gegnumsýri alla tilveruna. Í raun má segja að innan algyðistrúarbragða sé Guð allt og jafngildi alheiminum og náttúrunni.

Klassísk algyðistrú

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Þeir sem aðhyllast klassíska algyðistrú leggja tilveruna að jöfnu við Guð án þess að skilgreina hugtökin frekar. Þetta afbrigði algyðistrúar má finna í trúarhefðum innan hindúisma, innan Kabbala gyðingdóms og í mörgum trúarbrögðum og heimspekistefnum.

Náttúruleg algyðistrú

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Náttúruleg algyðistrú á rætur sínar að rekja í Taóisma og síðar til heimspeki Spinoza. Þeir sem aðhyllast náttúrulega algyðistrú telja alheiminn nauðsynlegt afl til þess að ná dulrænni fullkomnun. Alheimurinn hefur þó ekki sjálfstæðan vilja, meðvitund eða tilfinningar og er því ekki hægt að líta á hann sem Guð nema í óhefðbundnum og ópersónulegum skilningi. Þessi stefna gengur líka undir nafninu ópersónuleg algyðistrú eða ópersónuleg algildishyggja.

Heimild

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Fyrirmynd greinarinnar var „Pantheism“ á ensku útgáfu Wikipedia. Sótt 1. september 2006.

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  1. ^ Martin Lüdke, "Ein moderner Hüter der Dinge; Die Entdeckung des großen Portugiesen geht weiter: Fernando Pessoa hat in der Poesie Alberto Caeiros seinen Meister gesehen", ("A modern guardian of things; The discovery of the great Portuguese continues: Fernando Pessoa saw its master in the poetry of Alberto Caeiros"), Frankfurter Rundschau, August 18 2004. "Caeiro unterläuft die Unterscheidung zwischen dem Schein und dem, was etwa "Denkerge-danken" hinter ihm ausmachen wollen. Die Dinge, wie er sie sieht, sind als was sie scheinen. Sein Pan-Deismus basiert auf einer Ding-Metaphysik, die in der modernen Dichtung des zwanzigsten Jahrhunderts noch Schule machen sollte." Translation: "Caeiro interposes the distinction between the light and what "philosopher thoughts" want to constitute behind him. The things, as he sees them, are as they seem. His pandeism is based on a metaphysical thing, which should still become a school of thought under the modern seal of the twentieth century."
  2. ^ Giovanni Pontiero (1983). Carlos Nejar, poeta e pensador. p. 349. Otávio de Faria póde falar, com razão, de um pandeísmo de Carlos Nejar. Não uma poesia panteísta, mas pandeísta. Quero dizer, uma cosmogonia, um canto geral, um cancioneiro do humano e do divino. Mas o divino no humano". Translation: "Otávio de Faria spoke of the pandeism of Carlos Nejar. Not a pantheist poetry, but pandeist. I want to say, a cosmogony, one I sing generally, a chansonnier of the human being and the holy ghost. But the holy ghost in the human being.
  3. ^ "Pandeísmo em Carlos Nejar", in Última Hora, Rio de Janeiro, May 17, 1978.
  4. ^ Martin Lüdke, "Ein moderner Hüter der Dinge; Die Entdeckung des großen Portugiesen geht weiter: Fernando Pessoa hat in der Poesie Alberto Caeiros seinen Meister gesehen", ("A modern guardian of things; The discovery of the great Portuguese continues: Fernando Pessoa saw its master in the poetry of Alberto Caeiros"), Frankfurter Rundschau, August 18 2004. "Caeiro unterläuft die Unterscheidung zwischen dem Schein und dem, was etwa "Denkerge-danken" hinter ihm ausmachen wollen. Die Dinge, wie er sie sieht, sind als was sie scheinen. Sein Pan-Deismus basiert auf einer Ding-Metaphysik, die in der modernen Dichtung des zwanzigsten Jahrhunderts noch Schule machen sollte." Translation: "Caeiro interposes the distinction between the light and what "philosopher thoughts" want to constitute behind him. The things, as he sees them, are as they seem. His pandeism is based on a metaphysical thing, which should still become a school of thought under the modern seal of the twentieth century."
  5. ^ Giovanni Pontiero (1983). Carlos Nejar, poeta e pensador. p. 349. Otávio de Faria póde falar, com razão, de um pandeísmo de Carlos Nejar. Não uma poesia panteísta, mas pandeísta. Quero dizer, uma cosmogonia, um canto geral, um cancioneiro do humano e do divino. Mas o divino no humano". Translation: "Otávio de Faria spoke of the pandeism of Carlos Nejar. Not a pantheist poetry, but pandeist. I want to say, a cosmogony, one I sing generally, a chansonnier of the human being and the holy ghost. But the holy ghost in the human being.
  6. ^ "Pandeísmo em Carlos Nejar", in Última Hora, Rio de Janeiro, May 17, 1978.
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