Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand
How few! yet how they creep
Through my fingers to the deep,
While I weep - while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?
Eleandre Basiño Buendía, popularly known as Ely Buendia, and also once adopting the stage name, Jesus "Dizzy" Ventura, (born November 2, 1970) is a Filipino musician, best known as guitarist and lead vocals in the popular Pinoy rock band, The Eraserheads. As one-fourth of the group, he heavily contributed when it came to songwriting, and to the development of Pinoy rock during the 1990s. He currently performs as guitarist and lead vocalist for the band, Pupil.(continued...)
Did you know...
... that The Eraserheads(pictured), a Pinoy rock band, is so influential in Philippine music that they have often been called the "The Beatles of the Philippines"?
... that in one of his works of literature, Nietzsche described himself as 'the first decent human being.'?
...that Naruto's surname, "Uzumaki," is a pun on "spiral" (渦巻), while "Uzumaki" refers to a three-dimensional spiral, like a whirlpool or vortex?
Although the band itself is relatively new, all of its members have lots of experience in the Philippine music scene. Pupil is managed by Day Cabuhat (who also used to handle the Eraserheads) and Ely Buendia's wife, Diane Ventura, who was also manager for The Mongols.(continued...)
Hip, Hip, Hurrah! is an oil-on-canvas painting from 1888 by the Danish painter Peder Severin Krøyer. The work shows various members of the Skagen Painters, a group of Danish, Norwegian and Swedish artists who formed a loose community in Skagen, at the northern tip of Jutland, in the 1880s and early 1890s. Krøyer began the painting in 1884 after a party at Michael Ancher's house, with the composition inspired by photographs taken at the celebration by the German artist Fritz Stoltenberg, although the individuals featured are not all the same. A dispute arose between Krøyer and Ancher the following day when the former returned uninvited to continue work on the piece, and although they reconciled Krøyer was not permitted to use Ancher's garden as the setting. The Swedish art collector Pontus Fürstenberg bought the painting before it was completed, and it was displayed at Charlottenborg in 1888. He later donated the work to the Gothenburg Museum of Art, where it has hung since.Painting credit: Peder Severin Krøyer; photographed by Hossein Sehatlou
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