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Samad Mir

From Wikipedia, the free encyclopedia

Samad Mir
Born1893 (1893)
Alam Sahib Narwara, Srinagar, Kashmir
Died9 January 1959(1959-01-09) (aged 65–66)
Nambalhar, Budgam district, Jammu and Kashmir
OccupationPoet
LanguageKashmiri
GenreSufi poetry
Notable worksAknandun, Kulyaat-e-Samad Mir

Samad Mir (1893 – 9 January 1959) was a Kashmiri Sufi poet[1][2] His poetry explores themes such as divine beauty, spiritual longing, and his ethical ideals of the Sufi tradition.

Early life

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Mir was born in 1893 in Alam Sahib Narwara, Srinagar. His parents, Khaliq Mir and Noor Khaliq Mir, were dervish members of a Muslim, specifically Sufi, religious order who had taken vows of poverty and austerity.[3]

His father, Khaliq Mir, originated from Nambalhar, a village in the Budgam district.[4] Khaliq was also a poet, and died shortly after Samad’s birth, sometime between 1893 and 1894.[4]

Mir had two brothers, Rahim and Mohammad. Rahim remained in Narwara, while Mohammad died in his twenties.[4] As an adult, Mir eventually returned to his ancestral village of Nambalhar.

During his youth and early adulthood, Mir worked as a labourer at the Hari Niwas Palace in Srinagar. He later married and became the father of three sons and one daughter.[4]

Poetry and Sufism

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Mir was illiterate and received no formal schooling.[5][6] His verses were transcribed by Ali Shah of Wagar, Budgam.[7]

A complete collection of his poetry, titled Kulyaat-e-Samad Mir, was compiled and edited by Moti Lal Saqi. The Jammu and Kashmir Academy of Art, Culture and Languages has published revised editions of this collection multiple times.[4] More than 200 poems are attributed to Mir.[4]

Mir’s works incorporate a blend of Sanskrit and Hindi vocabulary,[4] and contained references of prophets, Sufi saints, and religious figures.

A monograph on his life and literary contributions has been published by the Sahitya Akademi in both Urdu and Kashmiri.[8]

Death

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Mir died on 9 January 1959 in Nambalhar, Budgam district. He was buried in Agar, Nambalhar, where a shrine dedicated to him now stands.[4]

Works

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Mir’s works include:

Aknandun (“The Only Son”) – widely regarded as his most significant narrative poem[9]

Praran Praran Tarawatiyay[9]

A series of Na‘at poems praising the Prophet Muhammad.[9]

Short devotional verses invoking prophets, awliyāʾ (saints), and Kashmiri Sufi masters.[9]

His lyric poems are noted for their use of Sanskrit and Hindi loanwords.[10]

Several of Mir’s compositions continue to be performed in Kashmiri Sufi musical traditions and have been interpreted by regional singers such as Abdul Rashid Hafiz.[11]

References

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  1. ^ "CUK holds seminar on life and works of poet Samad Mir". Greater Kashmir. 1 November 2025.
  2. ^ Ahmad Zia, Rakib (24 June 2024). "Samad Mir: A Great Sufi Poet of Kashmir". Precious Kashmir.
  3. ^ "DERVISH definition in American English | Collins English Dictionary". www.collinsdictionary.com. 13 February 2020. Retrieved 4 December 2025.
  4. ^ a b c d e f g h Yousuf, Imran (2018). "Samad Mir (1894–1959)". Kashmir Pen.
  5. ^ NAJAR, Manzoor Ahmad (2018). Hierophantic Experiences in Kashmiri Sufi Poetry. Evincepub. ISBN 9789387905481.
  6. ^ Gauhar, G. N. (1998). Hazratbal: The Central Stage of Kashmir Politics. Virgo Publications. p. 248. ISBN 9788185870113.
  7. ^ "Samad Mir: A Great Sufi Poet of Kashmir". 24 June 2024.
  8. ^ G.N. Gauhar (1998). Hazratbal: The Central Stage of Kashmir Politics. Virgo Publications. p. 248.
  9. ^ a b c d NAJAR, DR MANZOOR AHMAD (16 June 2018). Hierophantic Experiences in Kashmiri Sufi Poetry. Evincepub Publishing. ISBN 9789387905481.
  10. ^ Gauhar, G. N. (1998). Hazratbal: the central stage of Kashmir politics. Virgo Publications. p. 248. ISBN 9788185870113.
  11. ^ "Kalam-e-Samad Mir". YouTube. Retrieved 2 December 2025.
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