Salon of 1882

A Bar at the Folies-Bergère by Édouard Manet

The Salon of 1882 was an art exhibition held at the Palace of Industry in Paris between 1 May and 15 July 1882. it was annual Salon organised by the Académie des Beaux-Arts. It took place during the Belle Époque In the Republic. It should not be confused with the seventh Impressionist Exhibition held in the city the same year.

Despite his close association with the Impressionists Édouard Manet chose to exhibit at the Salon, which was more closely associated with Academic Art. A year before his death, he displayed one of his best known paintings 'A Bar at the Folies-Bergère, which features scene in the Parisian nightclub. Although widely praised and now considered his final masterpiece, critics at the time largely preferred his other submission Spring.

Paul Cézanne finally made his Salon debut with a painting of his father that he had first produced in 1866. Rinaldo Carnielo exhibited the sculpture Mozart Expiring.

Gallery

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  Spring by Édouard Manet
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  El Jaleo by John Singer Sargent
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  Italian Customs at the Simplon Pass by Eugène Giraud
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  La Grande Iza by Vlaho Bukovac
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  The Last Montagnards by Charles Ronot
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  In the Studio by Eugène Lecoindre
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  Printemps by Louise Ward
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  14 Juillet 1880, inauguration du monument à la République by Alfred Philippe Roll
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  Un Deuil by Daniel Ridgway Knight
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  General Lapasset Burning His Flags by Henri-Charles-Etienne Dujardin-Beaumetz
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  Mireille Giving Alms at Saint-Trophime by Pierre Auguste Cot
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  Daphnis and Chloe by Elizabeth Jane Gardner
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  Something for the Cat by Adolf von Becker
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  A French Cobbler by Adolf von Becker
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  Young Florentin Playing with Cats by Gustave-Claude-Etienne Courtois
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  Fishing Boat on the Beach by Anton Mauve
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  The Artist's Father, Reading "L'Événement by Paul Cézanne
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  Recreation Time in the Amsterdam Orphanage by Max Liebermann
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  La paye des moissonneurs by Léon Lhermitte
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  La vérité by Paul Baudry
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  Bara by Jean-Jacques Henner
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  Scene from the Chouannerie by Auguste-Émile Belle
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  Le Père Jacques (The Wood Gatherer) by Jules Bastien-Lepage
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  The Death of Sergeant Blandan by Louis-Théodore Devilly
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  Blanchisseuses by Marie Petiet
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  Lady with the Rose by John Singer Sargent
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  Captive by Mademoiselle Claudie
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  Portrait of Madame Lerolle by Henri Fantin-Latour
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  Portrait of aÉtienne Arago by Jules Emmanuel Valadon
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  Mozart Expiring by Rinaldo Carnielo
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  Quand même by Antonin Mercié

See also

• Royal Academy Exhibition of 1882, held at Burlington House in London

Bibliography

• Allard, Sébastien, Loyrette, Henri & Des Cars, Laurence. Nineteenth Century French Art: From Romanticism to Impressionism, Post-Impressionism and Art Nouveau. Rizzoli International Publications, 2007.
• Beeny, Emily A. Groom, Gloria Lynn & Allan, Scott. Manet and Modern Beauty: The Artist's Last Years. J. Paul Getty Museum, 2019.
• Brauer, Fae. Rivals and Conspirators: The Paris Salons and the Modern Art Centre. Cambridge Scholars Publishing, 2014.
• Harris, Nathaniel & Forsythe, James. The Art of Manet. Gallery Books, 1989.